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SSAB || Level 2

Lawrence lovers, BUCKLE UP!! Complete with written rhythm parts for rhythm section, this is the accessible closer you’ve been looking for. A simplified lift of our favorite Lawrence bop, originally

created for the 2019 Wyoming All-State Jazz Choir.

Holding On

TTBB || Level 2

A lightly arranged lift of Gregory Porter's “Holding On”, this tune provides a great opportunity for your tenors & baritones to learn from a master of soul & style. A very accessible choice for TTBB contemporary ensembles.

commissioned by the 2021 CO All-State Jazz Choir.

All About That Bass

SSAA || Level 2.5

In the style of PMJ, this will give your group something current with an old school spin. Features a vocal soloist, bass solo, and 4-part treble backgrounds. 

created for Sorella of the Seattle Girls’ Choir (WA).

A Boy Like You

SSATB || Level 3

Looking for an easy, happy-go-lucky swing tune for your beginning jazz singers? We think you’ll find that this tune is the perfect introduction to swing for a young jazz choir.

commissioned by Jeff Horenstein for the Meadowdale HS “Impressions”. (WA)

Sister Moon

SSAB Jazz Choir || Level 3

An accessible take on "Sister Moon", as performed by legendary artists Sting + Eric Clapton; for SSAB voices + Feature Solo.

commissioned by Andrew Jacobsen for the Bellevue High School Bellairs. (WA)

It’s Probably Me

SSATB || Level 3

This funky vocal jazz arrangement is a perfect platform to develop rhythm & feel with your singers. With this tune, your singers will get lots of practice with 16th-note syncopated rhythms, soulful singing, and standard jazz/R&B harmonies.

Just the Two of Us

SSATB + Feature Solo(s) || Level 3

This beloved Bill Withers classic is perfect for pop singers looking to try something a little more meaty. Featuring fun, accessible backgrounds and new lyrics to the (typically) instrumental bridge, this arrangement has been a huge hit with vocal jazz ensembles of every level!

Lovely Day

SSATB || Level 3

Commissioned by the choirs of Meadowdale HS for their graduation performance; featuring extremely accessible (optional) string + horn parts. The Bill Withers reharmonization you’ve been waiting for.

I’ll Fight

SSSAAA || Level 3

For treble choirs looking for something with a little more grit. This power ballad isn’t overly complex, and will give your group something to dig into dynamically + emotionally.

commissioned by Sarah Zegree for “Harmonic Motion” of Niles North HS (IL)

Humanize Us

SSSAAA || Level 3

This is a project with real heart; created in collaboration with the music students of Blue Valley HS (with lyrics by student Saadia Siddiqua), this womxn-power tune is built to empower treble ensembles. 

commissioned by Taryn Gervais for the Blue Valley Southwest “Trebleaires”. (KS)

Seven Days

SSATB || Level 3.5

A fun adaptation of the Tierney Sutton Band's arrangement of "Seven Days", set for high school vocal jazz choir. This arrangement is the perfect introduction to more complex rhythmic ideas, and adds a fun moment to your set!

commissioned by Jeff Horenstein for the Meadowdale HS “Impressions”. (WA)

Shiny Stockings

SSAAB || Level 3.5

This accessible swing tune is a great way to introduce your singers to vocal big band styles. Whether you're looking for a fun treat for your treble ensemble, or something your mixed ensemble can enjoy, this is the chart for you.

Created for “AURA” of A Cappella Academy in collaboration with Kelly Kunz. (CA)

America

SSATB || Level 3.5

An introspective, emotional take on Simon & Garfunkel's "America". Compelling reharmonization, lilting unisons, and a big build to the end make this arrangement a home run for any vocal jazz ensemble!

dedicated to Wicked Mama Kelly Severson-Kunz

I Hate Myself For Loving You

SSATB || Level 3.5

Ever heard a jazzy take on Joan Jett? We didn’t think so. You’re welcome. This arrangement is perfect for a group with basic experience looking to dive into the stylistic side of things.

commissioned by Fred Kiser for Kirkwood College. (IA)

Fever

SSAA + Feature Solo || Level 3.5

A contemplative take on Peggy Lee’s “Fever”. For those of you in search of a treble re-harmonization of a beloved (and over-performed) classic, we’ve got the arrangement for you.

originally written for the women of säje

White Noise

SSATB || Level 3.5

Looking for something funky, fun & fresh for that upcoming festival? Check out one of our newest original tunes, "White Noise". This tune features an opening vocal solo, an instrumental solo, and a break-down section. 

commissioned by Brennan Baglio for the Northwest College Studio Singers. (WY)

Pulse of the Day

SSATB + Feature Solo || Level 3.5

Give your group something to sink their teeth into with this subtly complex, rhythm-infused tune from GroundUp keyboardist + vocalist Alina Engibaryan. 

commissioned by Brennan Baglio for the Northwest College Studio Singers. (WY)

We Are

SSAA + Feature Solo || Level 4

Originally arranged for säje; this Alina Engibaryan adaptation is made for treble groups looking for something clustery, ultra-rhythmic and hyper-styled. Can feature one soloist or multiple!

Clarity

SSAATBaB || Level 3.5

Based on Adam Neely's jazz fusion take on the Zedd hit, this arrangement features a wide variety of textures & grooves. Despite moments of extreme range & thick voicings, you’ll find the vocal parts surprisingly singable.

commissioned by Tom McVicker for the Olympic HS jazz choir. (WA)

Reflections

SSATB || Level 4

A Wicked Pigeon original. This lilting, folksy, uplifting song for SSATB jazz choir + rhythm section was written for group reflection + healing.

commissioned by Brennan Baglio for the Northwest College Studio Singers. (WY)

Strangers of the Heart

SSATBaB || Level 4

Another Wicked Pigeon original, initially arranged for the singers of Groove for Thought. Perfect for groups looking for something accessible in odd + changing meter. Featuring a fun interlude breakdown for bass + soloist.

originally written for Groove for Thought

A Different Drum

SSAA || Level 4

Looking for some Linda Ronstadt in your life? We’ve re-imagined one our favorites from this songwriting powerhouse. A somber, exposed take with lots of chromatic writing makes this a perfect choice for treble ensembles looking for a challenge!

originally written for säje

Blue

SATBaB + Feature Solo || Level 4

For ensembles in search of something touching + tender. This Wicked Pigeon original is a great choice for experienced groups looking to do something a bit more folksy, shimmery, and emotional.

originally written for Groove for Thought

Bridge Over Troubled Water

SSATB + Feature Solo || Level 4

An intriguing, accessible take on the Simon + Garfunkel classic. Featuring auxiliary percussion + a feature soloist.

arranged in collaboration with Brennan Baglio, specially for the Northwest College Studio Singers. (WY)

Just A Lucky So-And-So

SSAATBaB || Level 4

This classic Duke Ellington tune is a great opportunity for your singers to step into the role of a big band. Plenty of solo space (improvisational and lyrical) and fat, stacked ensemble parts make this arrangement the perfect challenge for a more advanced vocal jazz group.

originally arranged for “Cloud 9” of A Cappella Academy (CA).

In The Real Early Morning

SSAATBaB || Level 4

This adaptation of Jacob Collier's beautiful ballad features a wide range of textures, from extended unisons to 7-part harmony. This arrangement will provide your group with an opportunity to really study phrasing as a vehicle for emotional expression. Recommended for very strong, experienced ensembles.

commissioned by Meadowdale HS (WA)

Strasbourg / St. Denis

SSAATBaB A Cappella || Level 4

FINALLY!! Our a cappella take on Roy Hargrove's classic, "Strasbourg / St. Denis". Originally written for and made popular by A Cappella Academy in 2018, this arrangement has been widely sought after and unavailable for purchase; UNTIL NOW.

originally arranged for “Syncop8tion” of A Cappella Academy (CA).

Too Good

SSSAATBaB || Level 5

We doubt you have a Drake tune in your set. It’s time.

For collegiate jazz ensembles in search of a serious challenge. This high-energy arrangement makes for a fantastic end-of-year closer! 

Arranged in collaboration with Erin Bentlage of säje.